The Tongue-Tied Imagination: Decolonizing Literary Modernity in Senegal - Paperback
$58.14
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The Tongue-Tied Imagination: Decolonizing Literary Modernity in Senegal - Paperback
$58.14
by Tobias Warner (Author)
Winner, 2021 African Literature Association First Book Award
Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of novels, poetry, and films in both languages, as well as educational projects and popular periodicals, the book traces the emergence of a politics of language from colonization through independence to the era of neoliberal development. Warner reads the francophone works of well-known authors such as Léopold Senghor, Ousmane Sembène, Mariama Bâ, and Boubacar Boris Diop alongside the more overlooked Wolof-language works with which they are in dialogue. Refusing to see the turn to vernacular languages only as a form of nativism, The Tongue-Tied Imagination argues that the language question opens up a fundamental struggle over the nature and limits of literature itself. Warner reveals how language debates tend to pull in two directions: first, they weave vernacular traditions into the normative patterns of world literature; but second, they create space to imagine how literary culture might be configured otherwise. Drawing on these insights, Warner brilliantly rethinks the terms of world literature and charts a renewed practice of literary comparison.Back Jacket
Winner, 2021 African Literature Association First Book Award
"Intellectually capacious and calmly magisterial, this remarkable book uses the case of French and Wolof in Senegal to remake ideas about literature and translation. This exquisite book will be read for decades to come--a decisive intervention from Africa into debates on world literature."--Isabel Hofmeyr, New York University "Warner's groundbreaking book is a patient, thorough, and always clear and elegant examination of the way the language question haunts the production of Senegal's literary tradition. At the same time, it poses in new terms the question of literature and of world literature."--Souleymane Bachir Diagne, Columbia University Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of novels, poetry, and films in both languages, as well as educational projects and popular periodicals, the book traces the emergence of a politics of language from colonization into the early independence decades and through to the era of neoliberal development. Refusing to see the turn to vernacular languages only as a form of nativism, The Tongue-Tied Imagination argues that the language question opens up a fundamental struggle over the nature and limits of literature itself. Warner reveals how language debates tend to pull in two directions: first, they weave vernacular traditions into the normative patterns of world literature; but second, they create space to imagine how literary culture might be configured otherwise. Drawing on these insights, Warner brilliantly rethinks the terms of world literature and charts a renewed practice of literary comparison. Tobias Warner is Assistant Professor of French and Francophone Studies at the University of California, Davis.Author Biography
Tobias Warner is Assistant Professor of French and Francophone Studies at the University of California, Davis.
Number of Pages: 320
Dimensions: 0.79 x 9 x 6 IN
Illustrated: Yes
Publication Date: March 05, 2019
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